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New England Institute of Art
 Architecture After Richardson: Regionalism Before Modernism--Longfellow, Alden, and Harlow in Boston and Pittsburgh by Margaret Henderson Floyd, Most histories of American architecture after H. H. Richardson have emphasized the work of Louis Sullivan and Frank Lloyd Wright in the Middle West. By examining instead the legacy of three highly successful architects who were in practice simultaneously in New England and Western Pennsylvania from 1886 into the 1920s, Margaret Henderson Floyd underscores the architectural significance of another part of the nation. Floyd critically' assesses the careers, works, and patronage of Alexander Wadsworth Longfellow, Frank Ellis Alden, and Alfred Branch Harlow. Longfellow and Alden were senior draftsmen in H. H. Richardson's office, and Harlow worked with McKim, Mead & White in New York, Newport, and Boston. After Richardson's death, the three set up their own practice with offices in Boston and Pittsburgh, and these offices eventually became two separate practices. Over the years, their commissions included scores of city and country residences for the elite of both regions as well as major institutional and business buildings such as those at Harvard and Radcliffe, the Cambridge City Hall, and Pittsburgh's Duquesne Club and Carnegie Institute. Placing these architects in a broader context of American architectural and landscape history, Floyd uncovers a strong cultural affinity between turn-of-the-century Boston and Pittsburgh. She also reveals an unsuspected link between the path of modernism from Richardson to Wright and the evolution of anti-modern imagery manifested in regionalism. Floyd thus combines her analysis of the work of Longfellow, Alden, and Harlow with a critique of mid-twentieth-century historiography to expose connections between New England regionalism, the arts and craftsmovement, and such innovators as Frank Lloyd Wright and Buckminster Fuller.
 Unsettling Sensation: Arts Policy Lessons from the Brooklyn Museum Art Controversy by Lawrence Rothfield, In September 1999, Sensation, an exhibition at the Brooklyn Museum, opened its doors, igniting a controversy still burning in the art world. This collection of cutting-edge art from the Saatchi collection in England, and the museum's arrangements with Charles Saatchi to finance the show, so offended New York City mayor Rudolph Giuliani that he attempted to shut the museum down by withholding city funds that are crucially needed by that institution. Only a legal ruling prevented him from doing so. Like the Robert Mapplethorpe exhibit before it, Sensation once again raises questions about public spending for "controversial" art, but with the added dimension of religious conflict and charges of commercialization. The contributors to this volume use the Sensation exhibition as a stepping-stone to analyze larger questions such as the authority the government has to withhold funds, various interpretations of the First Amendment, how to respect divergent cultural and religious values, and the economic stake of museums and dealers in art. In their articles -- written expressly for this volume, and spanning the disciplines of law, cultural studies, public policy, and art -- the contributors consider issues at the center of arts policy. They propose various legal strategies, curatorial practices, and standards of doing business intended to serve the public interest in the arts.
New England Complex Systems Institute - The New England Complex Systems Institute (NECSI) is "an independent educational and research institution dedicated to advancing the study of complex systems". NECSI was established by faculty of various New England academic institutions, to encourage communication and collaboration on these topics. New England Culinary Institute - The New England Culinary Institute (NECI) is a culinary school located in Montpelier, Vermont founded in June, 1980 by Fran Voigt and John Dranow. The first NECI class had just seven students. Chester College of New England - Chester College of New England in Chester, New Hampshire, USA, is a bachelor's degree-granting college that provides a foundation in the liberal arts and the fine arts, complemented by majors in the professional arts. The degree programs include studio art, graphic design and illustration, photography and media arts, creative and professional writing, and arts and humanities, as well as courses that lead to Art Education Certification. New York University Institute of Fine Arts - The Institute of fine Arts is one of the 14 divisions of New York University (NYU). It offers a Master of Arts and a Doctor of Philosophy, the Advanced Certificate in Conservation of Works of Art and the Certificate in Curatorial Studies (issued jointly with the Metropolitan Museum of Art).
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